Friday, March 9, 2007

Podcast
Ted & Jonah Present
"The Pilot"



My friend Jonah and I have decided to create a podcast under the name Newport Players. This first one is basically a weird little radio show consisting of some banter and some songs we like. It features the songs "3 Kings (Ratatat Remix)" by Slim Thug, Bun B, and T.I., "Leyendecker" by Battles, "Mr. Me Too (z.a.k. Remix)" by The Clipse, "Wamp Wamp vs. Knife (Girl Talk Remix)" by Clipse and Grizzly Bear, respectively. You can download the .mp3 file below. Just click the link and then click the "Download file" button on the right.

Check it out

We hope you enjoy it. Let us know what you think.

Friday, February 23, 2007

Wednesday, February 21, 2007

Fact
Women Are
Becoming More
Equal!

My sociology professor told us tonight about a phenomenon called, "the feminization of poverty and crime." What this means is that more and more women are committing violent crimes and falling below the poverty line than ever before. These formerly male-dominated fields are now becoming equal thanks to these brave modern women.



Take THAT, Glass Ceiling!

Music
Amendments to my Top 10 Albums of 2006 List

The time of the "Top 10" lists has long since passed and after having discovered music from other people's lists and having sat with my own for awhile, I've decided to make a few amendments to it:




1. Joanna Newson "Ys"
-I discovered this album after hearing that Joanna Newsom was going to be playing a free show in Madison. I wasn't able to make it to the concert but I downloaded the album to hear for myself what all the fuss was about. As soon as I listened to it I was hooked. I couldn't stop listening to it. Her voice is incredibly unique and her melodies and hooks are amazing. Each of the five songs on the album is about 12 minutes long, but they have so many different parts and movements that they are broken up really well. The instrumentation on the album is amazing, too. Her harp is beautifully accompanied by the string arrangements of long time Brian Wilson collaborator Van Dyke Parks. After living with this album for a few weeks, I would definitely say that it is my second favorite album of the year.




2. Hot Chip "The Warning"
-I should have listened to this album a lot sooner than I did because my friend Jonah was really into it earlier in the year when it first came out. But for some reason I kept putting it off and once I heard it I was really sorry that I hadn't listened sooner. The songs "And I Was a Boy From School", "Over and Over", and "Look After Me" are definitely some of my favorite songs of the year and the rest of the album is almost just as good. It's British Electropop at its best, and if that means something to you, then you should definitely check it out. I don't really know where it would fall on my top 10 list, but it's for sure somewhere near the top.


3. Ray LaMontagne "Till the Sun Turns Black"
-I was debating back when I originally wrote my Top 10 list whether or not to put this on there. Obviously, I decided against it. But now, after having gotten more into it, I realize that it really should be on there. I really like his first album, "Trouble," and I thought that "Till the Sun Turns Black" just didn't compare. Recently, though, I have really grown to love it. It's darker and more complex than "Trouble," and it's just better, overall. It's also really epic at times. The title songs transitions into the final song, "Within You," and just grows and grows. The first song on the album, "Be Here Now," is also a great builder of a song.

That's all for my amendments. There were a few honorable mentions, but nothing else that really jumped out at me.

Friday, February 2, 2007

Music
New Arcade Fire

As I write this, leaked copies of the new Arcade Fire album "Neon Bible" are flowing across the creeks and streams of the internet, branching and dividing by the hundreds as peer-to-peer software works its communistic magic. Although I urge each and every one of you to purchase the album when it's released in March, I must admit I downloaded a copy two nights ago.

Here for your enjoyment are links to two standout tracks from "Neon Bible." Expect a full review here in the coming days.

Track #2 - Keep the Car Running

Track #11 - My Body is a Cage

Tuesday, January 30, 2007

Rant
Why
Rolling Stone
Sucks

My roommate just got a copy of the latest Rolling Stone in the mail. Luckily, he didn't pay for it; it was a free trial subscription. Why lucky? Because Rolling Stone sucks. Sucks in almost all of the various ways an ostensibly cool record review magazine can suck. Ah yes, but therein lies the rub. Rolling Stone isn't a record review magazine anymore. It's not even a so-called lad mag a la Maxim, although I'm sure it would love to be. Rolling Stone these days is a mishmash of the poppiest of pop culture, tabloidism and pure suck-up-itude.

Let's start at the beginning.

Rolling Stone smells like perfume. Or maybe it's cologne. Who can tell the difference today anyway. "But Evan, lots of magazines have perfume ads and smell like that," you might say. Sure, but Rolling Stone? No. In my perfect world (which may have existed about 40 years ago) Rolling Stone would smell like newsprint and the city. The ink would smear on my fingers. I'd roll it up and stick it in my back pocket and take it out later to read on the train. It would not smell like perfume. Ever. I take that back; it might smell like perfume because I brought it over to a girl's house and left it in a pile of clothes next to her bed. That's the only way.

Now let's open the magazine. Holy shit! What is that! Why, it's an ad for "I'm From Rolling Stone," an MTV reality show ABOUT Rolling Stone. But we'll get to that piece of absurdity later. Look at the next ad. Ford Fusion. Kind of a sporty car. Flip a few pages.. Old Spice ad. "What doesn't kill you makes you better looking." Sad thing is, that's not even the source of the perfume smell. There are other perfume/cologne ads. Ok, now we're at the table of contents. What a nice place to address the second way Rolling Stone sucks (number one being its godawful smell).

Rolling Stone is like a heroin addict, except instead of heroin there's pure pop culture glucose running through its veins. Exhibit A: The table of contents is dominated by a spread about American Idol. For a second I almost thought this was OK. I thought to myself, "Maybe American Idol is so uncool, it's cool." But then I realized that only Vice Magazine could make American Idol remotely cool. No, Rolling Stone is just doing it because any number of a variety of surveys have declared that, well, a shitload of people watch American Idol. A shitload of 18-34 year olds probably.

Let's keep flipping. There's some cool stuff in here. Almost redeeming stuff, like stories about Deerhoof and Clap Your Hands Say Yeah. A story about a London band called the Klaxons that I would read if the picture of the band didn't show three guys who looked like those annoying kids at the bar (probably theater or social policy majors) who dressed fashionably but didn't talk to anyone and thus defeated any coolness they may have built up by standing around being annoying. Oh shit, there's another "I'm From Rolling Stone" ad. Gotta skip that. Bringing me to the third problem.

Why does Rolling Stone have a section called "Style"? Here's a 10 second lesson in coolness for Rolling Stone. Whatever ends up in your Style section isn't cool anymore. Sure, people are probably wearing it. Hell, more girls might wear that skirt now that it's been in your magazine. But girls wore Ugg boots too. And guys wore pink polos. Neither were cool. They were probably cool the first time someone in L.A. or New York City tried them out. But the minute some douchebag copied them, it wasn't cool anymore. It's tough, but you need to leave fashion for the fashion magazines. And P.S., those pants there in the corner of the page cost $185? I understand excess is part of rock n' roll, but not for pants. For drugs and booze.

Bear with me, there are two more things. Real quick, let's address the tabloidism. There's a full page spread on pages 36 and 37 that is, essentially, something you'd find in the Inquirer, except slightly more focused on the music industry. Look! There's a picture of a guy from Good Charlotte in Mexico with Nicole Richie! Look! There's some guy named Pete Doherty kicking a paparazzi dude! Look! There's.... Steven Tyler wearing nothing but a thong? Hey, at least that Old Spice ad can catch my puke.

Since I'm probably running out of your attention, I'll cut to the final gripe. Unfortunately, that means skipping over the Panic! At the Disco cover story. I know some of you might be fans of theirs, but let me just say I would pay good money to see a video on YouTube of them getting their asses beat by some guys with pool cues.

Anyway... the record reviews. Let me preface this by giving you the Rolling Stone system. It's based on five stars. A five star record is a "classic" record. I've only seen them give five stars to the Beatles or the Stones or Led Zeppelin. And that's as it should be. Four stars is excellent, three is good, two is fair and one is poor. First of all, only ONE of those rankings is negative. Two out of five is still "good"! Does that make sense to you? It doesn't to me. They give five stars to the right people, but I can't even remember the last time they gave a one out. That means Nickelback can open their copy of Rolling Stone and see that their album got two stars and actually think they make "good" music. Now that is atrocious.

Almost every album in the edition I read got at least three stars. Two albums got two and a half stars, and one of those was "A Tribute to the Band by Various Artists." One album got only two stars, but that was Switchfoot. Such is Rolling Stones' method of record review.

Oh yeah, and the first (and only) review they gave to Ratatat was in 2004 when they wrote a story about their remixes. Maybe that's the real reason I hate Rolling Stone.

Anyway, I guess I haven't even gotten to how ridiculous it is that MTV is doing a show called "I'm From Rolling Stone." Or how there's an inset in the Letters section that basically pimps the magazine's executive editor Joe Levy. Select quote: "But here at Rolling Stone, he (Joe Levy) exudes the same suave cool, a voice of sanity in the crazier-than-Gnarls music world...Nobody can touch his fearsome, encyclopedic knowledge of music, movies and every other corner of pop culture - when you're in the mood to debate whether the Stones were better on Aftermath or Between the Buttons, or the right color suede shoes to wear with a midnight-blue suit, Joe is your guy." WHO WRITES THIS SHIT? Oh yeah, Rob Sheffield, an editor. Would I even want to be "from Rolling Stone"? Probably not, and that's too bad.

Friday, December 29, 2006

Announcement
Holiday
Break

Great Lakes Lesser Cities will not be posting until after the holidays. Expect a new post ringing in the new year around Jan. 4 or 5. In the meantime, please peruse our old posts, which you may have missed, but are assuredly worth your time.