Wednesday, April 25, 2007

List
Funny Things
Found in a 21 year old
Medical Book

"Diagnostic Picture Tests in DERMATOLOGY"
by G.M. Levene, M.B. and S.K. Goolamali, M.D.
Published by Wolfe Medical Publications, Ltd
©1986

- "Haemorrhagic bulla in the morning is a 'shepherd's warning'!"
- "What is the cause of this lady's blue nose?"
- "Why does this lady have such deformed hands?"
- "What is wrong with this man's tongue?"
- "Q: How would a social history help in the diagnosis? A: He is homosexual."

Tuesday, April 24, 2007

Humor
Four Short Crushes
by
Paul Simms

From The New Yorker, April 30, 2007

Well, well, well.

Just look at you, walking into this dreary bar and lighting the place up like the noonday sun at midnight, twirling a lock of your long auburn hair pensively as you search the room—for what?

For a soul mate, perhaps?

(I know, I know—I hate that phrase, too. Maybe that will end up being one of those things we both hate.) Maybe a few weeks from now, lying in your bed on a Sunday morning, I’ll ask you, “What’s your least favorite word or phrase?,” and you’ll say, “ ‘Soul mate,’ ” and I’ll laugh till you say, “What? Tell me!,” and I’ll tell you how I knew that from the moment I first laid eyes on you, and then we’ll have sex again.

But I’m getting ahead of myself. You haven’t even noticed me yet. That’s O.K. I can wait.

Maybe when your gaze settles on me, and we lock eyes in that mutual Hitchcockian tunnel-vision effect where the camera is, like, pushing in at the same time it zooms out, or however they do that, you’ll come sit down next to me and we’ll—

Now you’ve spotted the friends you came to meet. They look like good friends.

Maybe they’ll be my friends, too.

Our friends.

Your eyes just came to life like emeralds lit by subterranean torches, and as you move across the room toward your friends you shriek at them, “What the fuck is up, yo?,” in a voice so piercing that the entire bar goes silent for a moment, and I have to check my glasses to make sure the lenses didn’t crack. You continue to bellow your every utterance (including the lines “Jägermeister is the bomb, dawg!” and “Just ’cause I’m a white girl don’t mean I don’t got some serious junk in the trunk!” and “Random! Random! Random!”), and the bartender leans in and whispers something to his bar back, and they look at you and laugh.

You must be a regular here.

(Duration of crush: seventeen seconds.)

Oh my. What have we here? A rainy night in the city has cleared the sidewalks of all but the most intrepid pedestrians, and those who didn’t brave the elements have no idea what they’re missing.

Because there you are, gliding along on your bicycle, just a few feet ahead of me.

You’re obviously not one of those tedious hard-core cycling enthusiasts—no skin-tight black spandex for you. No, just a simple white T-shirt (soaked through to the skin, clinging to the small of your back) and a long blond ponytail, whipping back and forth like the tail of a cartoon pony, as those long legs of yours pump the pedals and you raise your face to the sky, letting the raindrops freckle your cheeks with sweet diamonds of moisture.

Dare I try to catch up to you? I’m on foot, carrying a bunch of shopping bags, but you’ve paused at a red light, and—what the heck? I don’t know what I’ll say to you, but even the clumsiest of introductions on these glistening nighttime streets will give us a romantic how-we-met anecdote that we’ll love telling for years to come.

Caught you! Here I am!

And there you are. I see now that you’re a dude. My mistake. It was the ponytail that threw me off.

(Duration of crush: thirty-three seconds.)

Another restaurant dinner with my boring girlfriend, another lecture about how I never really listen to whatever she’s yammering on about.

But how can I listen—how could anyone?—when across the room, alone at a table, reading the newspaper and nursing a glass of white wine, is a silent confection like you?

You, with your jet-black hair (like a latter-day Veronica from “Archie”) and your skin so pale that the bubble-gummy pinkness of your pouty lips seems almost obscene, especially when you scrunch them up the way you do every time you lick your forefinger and turn the page.

And I know you see me, too. Your first glance betrayed a glimmer of recognition—as if you knew me but couldn’t remember from where—followed by puzzlement, your eyes entreating me to silently remind you, which I couldn’t do at the time because my current girlfriend was staring across the table at me, apparently waiting for my answer to some kind of relationship question that I thought was rhetorical.

And so it goes. For an eternity, it seems—through the entire meal, until I watch you ask for the check, and pay it, and get up to walk out of the restaurant, and my life, forever.

But what’s this? You’re crossing the room toward me? So brazen—just as I knew you’d be. Are you going to surreptitiously slip me your number, written on a sugar packet, perhaps dropping it in my pocket as you fake-jostle me, like a spy handing off microfilm?

My heart beats like underwater thunder in my ears, until you tap my girlfriend on the shoulder, and she sees you and says, “Hey!,” and you say, “I thought that was you!,” and I realize that you are one of my girlfriend’s college roommates.

After you leave, my girlfriend tells me a hilarious story about how one time in college some guy broke up with you, so you found some photos of him nude with the word “Patriarchy” written on his chest in Magic Marker which you took for an art class, and you sent them to his parents and then posted them on your blog, where you apparently like to write incredibly detailed confessionals about the asshole guys you always end up dating, and also, while you don’t use the guys’ real names, everyone knows that the guy you immortalized as Pencil Dick is actually a guy I used to work with.

(Duration of crush: forty-five minutes.)


So silly does my impatience now seem, stuck as I am in the Starbucks line during the morning rush. But that was before I noticed you in line ahead of me.

And now that I’ve seen you—with your gossamer hair still damp from the shower, with your well-moisturized ankles strapped and buckled into high heels that make you wobble and sway like a young colt just finding her stride, with your scent of lilacs and Dial, and, most of all, with your infectious sense of calmness and serenity, which makes me wish that the world itself would stop spinning, so that gravity would cease and we two could float into the sky and kiss in the clouds, giddy with love and vertigo—

Now you’re at the register, and the dreaded moment when we part without meeting rushes toward me like a slow-motion car crash in a dream.

You’ve been at the register without saying anything for, like, fifteen seconds now, still scanning the menu board with those almond-shaped eyes that would make Nefertiti herself weep with envy.

Seriously, you’ve been to a Starbucks before, right? I mean, it seems like there are a lot of choices, but most people find a drink they like and stick with it. And order it quickly.

But maybe I’ve caught you on a day when you’ve decided to make a fresh start. To make a fresh start, to try a new drink, to walk a different way to work, to finally dump that boyfriend who doesn’t appreciate you.

O.K., even if that were the case you could have picked out your new drink while you were waiting in line, right? I mean, come on.

Well, you’ve won me back, my future Mrs. Me—by turning to me and mouthing, “Sorry,” after you finally noticed me tapping my foot, looking at my watch, and exhaling loudly. Sensitivity like that can be neither learned nor taught, and it’s a rare thing indeed. The rarest of all possible—

Jesus Christ, you’ve ordered your drink and paid; do I really have to stand here for another forty-five seconds while you repack your purse, the contents of which you’ve spilled out on the counter like you’re setting up a fucking yard sale or something?

That’s right, the bills go in the billfold, the coins go in the little coin purse, the billfold and the coin purse go back in the pocketbook—no, in a side pocket of the pocketbook, which seems to have a clasp whose design incorporates some proprietary technology that you haven’t yet mastered.

I think I hate you now.

(Duration of crush: five minutes.)

Friday, March 9, 2007

Podcast
Ted & Jonah Present
"The Pilot"



My friend Jonah and I have decided to create a podcast under the name Newport Players. This first one is basically a weird little radio show consisting of some banter and some songs we like. It features the songs "3 Kings (Ratatat Remix)" by Slim Thug, Bun B, and T.I., "Leyendecker" by Battles, "Mr. Me Too (z.a.k. Remix)" by The Clipse, "Wamp Wamp vs. Knife (Girl Talk Remix)" by Clipse and Grizzly Bear, respectively. You can download the .mp3 file below. Just click the link and then click the "Download file" button on the right.

Check it out

We hope you enjoy it. Let us know what you think.

Friday, February 23, 2007

Wednesday, February 21, 2007

Fact
Women Are
Becoming More
Equal!

My sociology professor told us tonight about a phenomenon called, "the feminization of poverty and crime." What this means is that more and more women are committing violent crimes and falling below the poverty line than ever before. These formerly male-dominated fields are now becoming equal thanks to these brave modern women.



Take THAT, Glass Ceiling!

Music
Amendments to my Top 10 Albums of 2006 List

The time of the "Top 10" lists has long since passed and after having discovered music from other people's lists and having sat with my own for awhile, I've decided to make a few amendments to it:




1. Joanna Newson "Ys"
-I discovered this album after hearing that Joanna Newsom was going to be playing a free show in Madison. I wasn't able to make it to the concert but I downloaded the album to hear for myself what all the fuss was about. As soon as I listened to it I was hooked. I couldn't stop listening to it. Her voice is incredibly unique and her melodies and hooks are amazing. Each of the five songs on the album is about 12 minutes long, but they have so many different parts and movements that they are broken up really well. The instrumentation on the album is amazing, too. Her harp is beautifully accompanied by the string arrangements of long time Brian Wilson collaborator Van Dyke Parks. After living with this album for a few weeks, I would definitely say that it is my second favorite album of the year.




2. Hot Chip "The Warning"
-I should have listened to this album a lot sooner than I did because my friend Jonah was really into it earlier in the year when it first came out. But for some reason I kept putting it off and once I heard it I was really sorry that I hadn't listened sooner. The songs "And I Was a Boy From School", "Over and Over", and "Look After Me" are definitely some of my favorite songs of the year and the rest of the album is almost just as good. It's British Electropop at its best, and if that means something to you, then you should definitely check it out. I don't really know where it would fall on my top 10 list, but it's for sure somewhere near the top.


3. Ray LaMontagne "Till the Sun Turns Black"
-I was debating back when I originally wrote my Top 10 list whether or not to put this on there. Obviously, I decided against it. But now, after having gotten more into it, I realize that it really should be on there. I really like his first album, "Trouble," and I thought that "Till the Sun Turns Black" just didn't compare. Recently, though, I have really grown to love it. It's darker and more complex than "Trouble," and it's just better, overall. It's also really epic at times. The title songs transitions into the final song, "Within You," and just grows and grows. The first song on the album, "Be Here Now," is also a great builder of a song.

That's all for my amendments. There were a few honorable mentions, but nothing else that really jumped out at me.